On “The Red Pill” and the feminist filmmaker who took it

On “The Red Pill” and the feminist filmmaker who took it

– Uma Challa


I had heard of “The Red Pill” even while it was being made, and have been aware of all the difficulties Cassie Jaye had to undergo to complete her project. I had been very curious about the film because the filmmaker was a feminist, and she was covering some of the veteran MRAs whom I consider my distant mentors.


On Sunday, I got an invite from a fellow MRA to watch “The Red Pill” at his place, and it was hard to resist because I had just published a piece on an Indian documentary, which some people have (wrongly) been calling the counterpart of “The Red Pill”.


I watched every frame and every shot, followed every word very carefully, sometimes asking for the film to be rewound a little, when I felt I had missed something. To me, if there was one thing that stood out in the film, it is the honesty of the endeavor, and just for that, I would say the film’s worth a watch.


Cassie Jaye traced her long and winding journey, or rather the journey of what MRAs call the red pill, through her system, and one would have to say that she successfully digested it and absorbed it, because at the end of the film, she says that she doesn’t call herself a feminist anymore.


While I have heard, read and watched MRAs like Paul Elam, Warren Farrel and Erin Pizzey for over a decade now, watching them speak in this film, and watching some of their memoirs brought back many of my own memories from my early MRA days. The circular arguments by many feminists provided an excellent contrast to the articulate presentation of facts by these veteran MRAs. In my opinion, “The Red Pill” should be on the essential “watching list” for every new MRA.


The range of men’s issues exposed in the film is impressive, and Cassie Jaye’s dedication to clearly understand every issue is commendable. Her in-depth research, her flowcharts, her video diaries, her candid questions and honest admissions are endearing to me as an MRA, and are bound to provoke thought among non-MRAs who watch the film.


I wish that Cassie Jaye’s film is watched by more and more people across the globe. It will not only be the appropriate reward for her work as a filmmaker, but also a great way to spread the information and messages that MRAs have been trying to communicate, to provoke thought and inspire action to end misandry around the world.


My congratulations to Cassie Jaye for a film so well-made!

The Red Pill poster